It was a clear sign of a necessary shift in comic-book storytelling, one that no longer easily assumed might made right.Īs the Marvel Cinematic Universe approaches its 10-year mark with the apocalyptic Avengers: Infinity War, its films have begun to move in a similarly dark direction. With this scene, their grandeur had transmuted from something that was previously soapy and colorful to something remote and frightening. They’re powerful, but entirely inhuman-gods among men who are worlds removed from a street-level hero like Daredevil. The artist David Mazzucchelli draws those three heroes in mythic fashion, with Captain America cradling an injured child in his arms, Thor silhouetted against the storm he has summoned, and Iron Man standing like an immovable sentry, collectively commanding Daredevil to back off. Near the end of “Born Again,” Daredevil, the costumed protector of Hell’s Kitchen, fights a villain named Nuke, whose powers are cataclysmic enough that more epic heroes have to get involved: the Avengers, represented by their best-known members, Captain America, Iron Man, and Thor. Though Miller’s recent turn toward more extreme politics in his work has alienated many fans, his influence in the mid-’80s was crucial to the evolution of mainstream comics. In 1986, the famed comic-book creator Frank Miller wrote a seven-part story for Daredevil called “Born Again,” a dark tale of betrayal and redemption that helped usher in the gritty modern age of the medium.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |